Giant Koi Leaping Through Golden Clouds

[Style] Top-tier nature documentary cinematography, cinematic natural light, high frame rate upgraded to slow motion 
[Scene] High-altitude mountains before sunset, continuous snow-capped peaks emerging from the heavy sea of clouds, the sky shifting from gold, pale orange, to blue-gray gradients. The clouds resemble a slowly rising ocean, with sunlight piercing through gaps to form massive beams of light. Several red and white koi fish stretching several kilometers swim beneath the clouds, their scale outlines faintly visible.
 [00:00–00:02.5] Shot 1: Vertical Aerial Establishing Shot. Referring to a vertical aerial shot, the camera slowly rises behind a snow-capped mountain peak. In the background, sharp black rock faces and fine snowflakes blown up by the wind are in the background. In the middle is a surging golden sea of clouds, with distant mountains layered and progressive. Beneath the clouds appeared an enormous red and white silhouette, like some ancient creature slowly swimming deep within the sea of clouds. The cloud surface is lifted by its body, forming an arc-shaped bulge several kilometers long. The camera zooms in slightly, and a huge translucent fish fin briefly pierces through the clouds before quickly sinking into it. Tiny droplets of water hang from the edges of the fins, which sparkle in the sunlight and then transform into floating cloud particles.
 [00:02.5–00:05.2] Scene 2: Giant Koi Leaping Out of the Sea of Clouds (High-Speed Telephoto Tracking, 240fps Upgraded Slow Motion) A giant koi several kilometers long suddenly leaps out from the sea of clouds. From the side, the ultra-telephoto camera shows the koi's body forming an elegant arc in the air, its head breaking through the clouds first, and the thick mist bursts out like waves to both sides. Mist and clouds quickly slide down along the fish's head, gill cover, and back, forming a massive white fluid waterfall. Upgrade slow-motion clear capture: Koi gill covers slowly open and close; The pectoral fins gently sway in the air; The abdominal scales are slightly displaced as the body twists; The surface of the red and white scales is covered with a moist film of water; Thousands of droplets flicked from the tips of their fins, turning into golden glowing spots in the backlight. The koi's swimming posture must match the biomechanics of real fish. Unlike flying dragons, which do not flapping their wings, they continuously swing through their spine, tail stalk, and tail fin, swimming in clouds as if swimming in the deep sea.
 [00:05.2–00:07.8] Shot 3: Extreme Wildlife Close-Up (Macro Telephoto Lens) The camera switches to an extreme close-up close to the koi's head. Reference: The huge amber eyes occupy the upper half of the frame, with moist and transparent surfaces that clearly reflect the sunset, snowy mountains, and the clouds where the camera is located. Koi slowly turned its eyes, its pupils reflecting a sharp golden light. The focus smoothly shifts from the eyes to the facial scales: each scale has fine growth lines; The red areas show gradients of deep red, vermilion, and orange-gold; White scales with a faint pearly texture; Between the gaps between the scales, tiny droplets of water and mist remain; The edge of the gill cover rises and falls slightly with breathing. A wisp of mist drifted past the koi's cheek, briefly covering his eyes, then being swept away by the airflow. In shallow scenes and deep depths, distant snowy peaks and sunset form a soft bokeh. 
[00:07.8–00:10.0] Shot 4: Tail Fin Sweeping Over Mountains (Low-Angle Wide Tracking Shot) The camera is positioned above the mountain peaks, following the koi in a low-angle perspective as it swims toward the sky. Reference: A giant koi glides past above the camera, its white scales reflecting the cold daylight, and its red stripes outlined in golden hues by the sunset. Its thick tail stalk curves slowly, and its massive tail fin sweeps across the clouds. The moment the tail fin swept past, the sea of clouds was pushed open into a massive circular vortex, with several waves spreading outward along the valley. Fine Xiaoice crystals, water droplets, and cloud particles fly toward the lens, creating a strong sense of depth. Koi gradually dive into the golden clouds higher up, leaving only the tip of its tail fin briefly visible. After the clouds closed, a ring of slowly spreading huge ripples appeared in the sky. The final frame freezes the carp's tail fin, about to be completely swallowed by the sea of clouds. Sunlight filters through the translucent fin membrane, revealing fine blood vessels, fin strips, and water droplets at the edges. [Vertical Composition Requirements] The composition centers on vertical space, highlighting the vertical layers of "mountain peaks—sea of clouds—giant koi fish—sky." In the long shot, koi leap from the clouds below the frame toward the upper and middle sections; In the close-up, the eyes are located in the upper third of the composition; The final shot lets the tail fin sweep from the center of the frame to the top, enhancing the impact of the vertical screen. The subject cannot always be centered, retaining the tracking composition and slight out-of-focus correction of real nature documentaries, avoiding the commercial-style staging feel. 
[Photography and Light and Shadow Requirements] True high-altitude natural light, sunset backlight, clouds and mist with real volume, density, and flow inertia. Koi must interact authentically with their environment, including occlusion, projections, cloud disturbances, droplet scattering, and glassy wet reflections. Common techniques used in nature documentaries: ultra-telephoto compression of space, stable aerial shots, rapid focus tracking, local shallow depth of field, elevated slow motion, and extreme close-ups of creatures. [Sound Design] The opening features the sound of mountain wind, distant deep thunder, and the faint sound of snowflakes hitting. When koi swim beneath the clouds, they incorporate low-frequency vibrations similar to deep-sea whale calls, but they are lighter and more mysterious. When breaking through the clouds, heavy mist breaks through and the deep sound of water flows. The close-up phase highlights the faint sounds of the gill cover breathing, scales rubbing, and water droplets sliding down. When the tail fin sweeps through the clouds, it adds a strong but not exaggerated low-frequency air vibration, ending with the vast, quiet mountain wind. 
[Negative prompts] Cartoon koi, anime style, game CG, plastic fish, balloon fish, dragon movements, birds flapping wings, growing wings, snake-like body, wrong fins, extra fins, deformed scales, deformed eyes, mouth deformed, sudden changes in koi numbers, main body flickering, sizes fluctuate, passing through mountains, clouds no interaction, mist like cotton, cheap special effects, neon glowing fish, magical energy, lightning swirling, oversaturation, overly strong glow, violent camera shake, quick random zooming, low resolution, Blurred textures, watermarks, subtitles, logos.