Anime Girl's Pudding Heist

The girl from Image1 is used as a reference character. Japanese full-color anime, don't make people different. Maintain a cute and soft atmosphere through costumes, hairstyles, hair color separation, and clothing silhouettes. Fully maintain the character sheet.

A refined 15-second cel-look 3D animation. Not realistic live-action, but exaggerated 3D cartoon animation performances. Delicate features, expressive eyes, beautiful contours, soft skin shading, fine costume materials, glowing magical particles, moonlight, cinematic depth of field, dramatic rim lights. The contour lines are modest. Visualize clearly readable facial expressions, eyes, eyebrows, mouth, and poses.

The setting is a spacious and luxurious island kitchen. Large island counter, rear storage, refrigerator, hanging lighting, spacious floor, and a deep space. On the central island counter, there is a single premium pudding with a golden caramel gloss. Pudding always appears important as an object. The positions of the kitchen, counter, and pudding are consistent throughout the cut.

He doesn't act normally. Make your movements big, fast, sharp, and comical. スナッピーなポーズ・トゥ・ポーズ。 Smooth uniform movement is prohibited. Each action is a pause, a short hold, a sudden acceleration, a big overpass, a recoil, a complete stop, and only the hair and sleeves sway slowly and slowly. Add a short finishing touch at the end of the main pose. The shape of the body and the costume are not ruined.

Her expression naturally does not become restrained. Only at important moments, quickly switch the angles of the eyes, eyebrows, mouth, cheeks, gaze, and neck. The facial expressions used include wary narrow eyes, a suspicious face raised with one eyebrow, a big surprised face, a sideways sinister face, a scheming suspicious face, a nervous face puffing out cheeks, a starry eye that discovers something, a look of emotion, and a happy, satisfied expression. Maintain cuteness while making comical and bold expressions.

0.0 to 1.5 seconds:

Ultra-wide shot of a spacious island kitchen. Golden pudding is placed on the central island counter. The caramel pudding sparkled. From the shadow of the counter at the edge of the screen, the girl's white hair popped out for a moment, then quickly withdrew.

1.5 to 3.0 seconds:

A girl slowly poked her head out from behind the counter. At first, just the eyes. I looked at the pudding with a slender, wary gaze. He raised an eyebrow. The next moment, her eyes opened wide, and her pupils sparkled. Hold your fingertips upright, place your back on the side of the counter, and stop firmly. Only her hair and sleeves swayed with delay.

3.0–4.8 seconds:

The first major move. The girl crouched down slightly, hugging her body tightly. The next moment, it explosively shot out sideways from behind the counter. Short afterimages and a modest speedline. Upon arrival, I went a bit too far and hurried back to stick to the side of the counter. Her expression quickly shifts from seriousness, surprise, impatience, to a grin. Finally, it comes to a complete stop. Her hair, sleeves, and hem of her clothes sway heavily and belatedly.

4.8–6.5 seconds:

Moved further into the shadows of refrigerators and storage shelves. He stomped his feet at super high speed with his toes, pausing briefly with only his upper body. The next moment, it moves with a 'buon' (a sound). The camera tilts slightly to the side, chasing with a sharp pan. Upon arrival, she lifts one leg and spreads her arms to balance in an exaggerated signature pose. Switch to sideways glances, suspicious faces, and confident faces.

6.5–8.5 seconds:

A girl sneaks low to an island counter with pudding. Not a natural walk, but cartoon-style exaggerated sneaking feet. With every step, stop, just move your feet forward, your body catches up all at once, your head goes a bit too far, you bounce back, and you come to a sudden stop. Her gaze quickly switches to the pudding, right, left, behind, and pudding. Sudden braking near the counter. Only her hair and sleeves flowed forward and returned.

8.5–10.5 seconds:

The highlight of discovering pudding. A girl poked her head out from under the counter. At first, just the eyes. After checking left and right, I look at the golden pudding. His eyes opened wide, sparkling like stars in them. My eyebrows twitched, and my cheeks turned red. I put both hands on the counter and my body stretched upward for a moment. Switch between an emotionally moved face, a mesmerized face, or a scheming, scheming face. Finally, she stopped completely with a signature pose.

10.5–12.5 seconds:

The girl gently lifts the pudding with both hands. Before lifting, shrink slightly and focus. The next moment, she quickly pulled the pudding close to her chest. I pushed a little backward with momentum, then retreated with recoil. Unable to contain my joy, I trembled slightly. Switching between serious faces, surprised faces, smirks, and sparkling faces full of anticipation. The camera suddenly stopped closer. Pudding placed with a spoon. Just before bringing my face close to Pudding, I stopped briefly.

12.5–14.2 seconds:

The biggest reaction to tasting the pudding. The moment the girl tasted the pudding with her spoon, she made a strong impact for just one frame. Her shoulders bounce wildly, and her hair and sleeves bounce upward. A cute reaction like a small shockwave. My cheeks turned red, and I pressed my cheek with one hand. Quickly switch to expressions of surprise, emotion, happiness, and satisfaction.

14.2–15.0 seconds:

The final signature pose. Holding a plate with pudding in one hand while holding one hand to her cheek. She narrowed her eyes and smiled happily. My body came to a complete halt. Only her hair, sleeves, and hem of her clothes swayed gently in the afterglow. The camera leans in slightly, focusing on her happy expression. Finish with a cute and satisfying finishing piece.

The camera uses ultra-wide, sharp zoom, low angle, light Dutch angle, sharp shots, and short cut-ins. When discovering pudding, teleporting, making sudden stops, or tasting it, the camera is brought close. However, the positions of the characters' faces, pudding, and island counters are always clearly visible.