Cinematic Contact Sheet Generator

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Analyze the entire composition of the input image. Identify all the key entities present (whether individuals, groups/couples, vehicles, or specific objects) and their spatial relationships/interactions.
Generate a coherent 3x3 mesh "Contact Sheet," displaying nine different shots that are exactly these subjects in the same environment.
You have to adjust the standard type of cinematic shot to fit the content (for example, if it's a group, keep the group together; If it's an object, the composition includes the entire object):
Line 1 (Background of Creation):
Great Vision (ELS): The subject appears small in a wide environment.
Panoramic (LS): Complete subjects or groups visible from top to bottom (from head to toe / from wheels to roof).
Mid-to-long shot (American lens/three-quarters): Composition above the knee (for the person) or from a three-quarter perspective (for the object).
Line 2 (Core Coverage):
4. Middle Scene (MS): Composition from above the waist (or the central center of the object). Focus on interaction/action.
5. Medium Close-up (MCU): Composed above the chest. Intimate composition of the main subject.
6. Close-up (CU): Compact composition on the "front" of a face or object.
Line 3 (Details and Angles):
7. Close-up (ECU): Macro details with strong focus on key features (eyes, hands, logos, textures).
8. Low-angle shots (looking up/worm eye): Looking up at the subject from the ground (spectacular/heroic).
9. High-angle shots (bird's-eye/bird's-eye view): Bird's-eye view of the subject from above.
Strict consistency is ensured: all 9 panels feature the same people/objects, the same clothes, and the same lighting. Depth of field should change realistically (background blur in close-up shots).
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A professional 3x3 movie storyboard grid with 9 panels.
This mesh displays specific subjects/scenes in the input image with a comprehensive focal length range.
Top row: wide ambient shot, full view, 3/4 cut (knee shot).
Middle row: View above the waist, view above the chest, close-ups of the face/front.
Bottom line: macro details, low angle, high angle.
All frames feature photorealistic textures, consistent cinematic color grading, and a specific number of correct compositions for the subject or object being analyzed.