Torn Paper Reveals Oriental Landscape

[Chinese]
The minimalist new Chinese aesthetic style features a delicate gray-and-white background, presenting a three-dimensional effect reminiscent of paper art silhouettes.
An S-shaped, winding cracked edge divides the painting, as if tearing open a layer of paper to reveal the vibrant Eastern landscape within.
Inside the fissure, a winding river runs from top to bottom throughout the composition, with water rendered in varying shades of blue, layered like flowing ribbons.
Lush hills and terraced fields dot both sides of the riverbank, with soft colors and a blend of green and red, showcasing the tranquil beauty of the countryside.
The ancient-style buildings built along the river are arranged in a harmonious manner, with flying eaves and upturned corners, white walls, and black tiles, making them appear even more rustic and elegant under the shadows of light.
The trees along the shore are lush and green, their branches and leaves light and graceful. A small boat quietly moors in the middle of the water, adding a sense of tranquility.
The overall composition features an S-shaped curve, full of rhythm, as if nature and culture coexist harmoniously.
The edges of the paintings use a tear-paper effect to create a visual experience reminiscent of a three-dimensional relief.
The inscription below reads "Eastern Aesthetics" in black regular script, with the date "2026/04/18" echoing the red seal. The bottom is solemn and prominent with "CHINA," signed "@LIYUE," and finished quietly. The overall atmosphere is serene and profound, full of poetry and philosophical reflection.

[English]
Minimalist neo-Chinese aesthetic style, the picture uses an elegant grayish-white as the background, presenting a three-dimensional sense like paper art silhouettes. A winding S-shaped crack-like edge divides the picture, as if tearing open a layer of paper, revealing the colorful oriental landscape scene inside. Inside the crack, a winding river runs through the entire composition from top to bottom, the river water is rendered in different shades of blue, with clear layers, like a flowing ribbon. Both sides of the riverbank are dotted with verdant hills and terraced fields, the colors are soft, green and red interwoven, showing the tranquil beauty of the pastoral. Ancient-style buildings built along the river are well-proportioned, with flying eaves and upturned corners, white walls and black tiles, appearing more quaint and elegant against the light and shadow. The trees on the bank are lush, the branches and leaves are light and graceful, a small boat is quietly moored in the middle of the water, adding a bit of leisurely artistic conception. The overall composition presents an S-shaped curve, full of rhythm, as if the harmonious coexistence of nature and humanity. The edges of the painting adopt a torn paper effect, creating a visual experience like a three-dimensional relief. The inscription "東方美學" at the bottom is written in black regular script, the date "2026/04/18" echoes with the red seal, the word "CHINA" at the bottom is solemn and eye-catching, and the signature " @LIYUE" ends in a low-key way. The overall atmosphere is quiet and profound, full of poetry and philosophical thinking.