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Perler Beads Infographic Design Guide
Generate a 16:9 landscape infographic poster. Theme: [Theme] Must-cover knowledge points: [Knowledge Point 1] [Knowledge Point 2] [Knowledge Point 3] [Knowledg…
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Generate a 16:9 landscape infographic poster. Theme: [Theme] Must-cover knowledge points: [Knowledge Point 1] [Knowledge Point 2] [Knowledge Point 3] [Knowledg…
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Generate a 16:9 landscape infographic poster. Theme: [Theme] Must-cover knowledge points: [Knowledge Point 1] [Knowledge Point 2] [Knowledge Point 3] [Knowledge Point 4] [Knowledge Point 5] [Knowledge Point 6] [Knowledge Point 7] [Knowledge Point 8] Visual Style Definition: This is a structured flat infographic poster in the style of "PineDou / Perler beads / fuse beads / Pixel bead array." The composition consists of numerous regularly arranged circular plastic beans, each with clear circular boundaries, slight central indentations, uniform spacing, a low-saturation plastic texture, and stable grid order. The overall composition must maintain a front-facing flat composition, like a public cultural infographic poster made from bean pins, rather than toy photography, 3D models, cartoon illustrations, or ordinary pixel art. Core composition: Compress the [theme] subject into a large-scale monochrome bean puzzle image field, rather than a fully realistic object, centered illustration, or icon collection. The subject must flow in from the edges of the canvas, cross the page boundaries, and be cut by bleeding, like a larger piece of puzzle medium image fragment onto the paper. The main subject occupies the main visual weight but is not fully presented; Viewers must reconstruct the theme through contours, directions, missing areas, bean crunching density, and local textures. Main body morphology: The outer edge of the main body shows low-resolution bean slices, block fractures, hard-cut notches, pixelated sawtooth profiles, bead missing cross-sections, and rough sampling boundaries. Smooth silhouettes, complete icon outlines, and realistic details are prohibited. Inside the main body, only different brightness puzzles of the same theme structural color are used, resulting in low-contrast image fragments, half-tone noise, scan particles, material afterimages, archival textures, and local density variations. Background and negative space: The background uses a high-brightness light-colored bean patch base, close to unprinted paper, light milky white plastic baseboard, or a light gray-white bean patch pattern. The background is not a decorative background but actively reverses the subject, forming large empty spaces, winding passages, quiet text windows, reading pause areas, and knowledge point containers. The blank space must be like the air, and also like the edge of a knife; It provides both a sense of breathability and the cutting of the main structure. Large light color backgrounds and large theme structural colors must intermingle; they cannot be simply divided into upper and lower zones, and cannot serve as ordinary backgrounds. Color system: Uses a strict three-layer functional color scheme, with no uniform color schemes. First layer: Light base field, area ratio about 60%–70%. Its functions are breathing, cutting, pausing, and carrying text windows. Colors can be old paper white, light off-white, cool gray white, light blue-white, or light warm gray. Second layer: Theme structural color, area ratio about 25%–35%. Its function is to form the subject, create spatial pressure, express the theme's emotion, and the semantics of the material. Colors must be chosen according to the [theme]; for example, cool themes can use navy blue, dark green, gray-purple, or graphite; Warm themes can be in ochre, earth orange, brown-black, or dark gold. Inside the structural color, particle density and image ghosting are expressed through contrasting brightness in the bean binding. Third layer: High contrast information color area ratio about 3%–6%. Functions include title, number, time, annotation, institution information, legend, footnotes, and key knowledge point markers. The information color must be small, sharp, and clear, and can be red, black, bright blue, fluorescent orange, or high-purity cyan. Information colors cannot be diffused into decorative colors. Infographic System: Converts all [Knowledge Point 1] to [Knowledge Point 8] into pindou information nodes, without using ordinary icon stacking explanations. Each knowledge point is presented in one of the following forms: - Small numbered tags - Miniature annotation boxes - Puzzle icon blocks - Coordinate lines - Time scale - Scale bars - Directional arrows - Archive index number - Local texture descriptions - Edge marker points Information nodes must be distributed along the blank window, color field boundary, cut node, main notch, negative space channel, and bottom edge. There are 8 information nodes, corresponding to 8 knowledge points. All information nodes must have hierarchical relationships: the main title is the largest, the core concept is secondary, the knowledge point labels are smaller, and the footnotes and numbering are the minimum. Information nodes must not cover the main center and must not disrupt the large color field structure. Reading route: Build a jumping reading path: small markers at the top → sideways main headings → knowledge points at the main body edges → negative space annotation window → footnotes and legends at the bottom. The image must simultaneously satisfy long-distance recognition and close-up reading: from a distance, it looks like a strong, massive puzzle image fragment; up close, it is a precise, orderly system of knowledge information. Fonts and text: Use narrow modern sans-serif fonts, Swiss-style sans-serifs, square-clear skeleton fonts, or monowidth metadata fonts. The font strokes are uniform, character spacing is restrained, and the hierarchy is precise. The main title resembles a public cultural information coordinate, while the small print resembles an archival metadata index. Text must be placed in blank windows, border nodes, and bottom information boxes, and must not be pressed in the center of the main body. Chinese text must be clear, concise, and labeled, avoiding long paragraphs. Theme translation rules: Do not directly use the default theme icon to explain [Theme]. Time, place, function, character relationships, data relationships, causal relationships, or abstract concepts in the theme must be translated as: - Bead color field density - Bead area direction - Edge pressure - Negative space shape - Information node position - Numbering system - Local texture differences - Bead brightness level - Legend color block relationships Bead materials: All visual elements are made up of bean binding. The surface of the pindou has a matte plastic texture, with slight manufacturing unevenness, fine particles, fine wear, and low contrast surface differences. Within the structural color area, variations in half-tone bean splicing density, scan output sensation, uneven old paper, and spot color overprinting can appear. Information color pinning beans must have sharp edges, clear contrast, and accurate positioning. Artistic Temperament: The overall image should resemble a structural public cultural information poster reconstructed from pindou. It is not a cute handmade illustration or a children's toy style, but a restrained and rational, modern, archival, information-dense yet clearly ordered visual system. The images should embody the qualities of museum exhibition posters, research institution infographics, public cultural guides, and experimental graphic design. Strict composition requirements: - 16:9 landscape layout - Frontal plane view - Pindou circular particles are clearly visible - Subject enters from the edge of the frame - Subject is cropped by page boundaries - Large block structural colors and large blank spaces intermingle - Outer outline appears like bean puzzle pixels - At least 8 knowledge point information nodes - From afar, there is a huge graphic impact - Up close, precise information order - Blank areas must participate in narrative and cutting - Information colors can only be used for key text and markings Prohibited content: Complete realistic objects are prohibited. Centered main illustrations are prohibited. Ventilation is prohibited for cute cards. Ordinary pixel art is prohibited. 3D toy photography is prohibited. Prohibit deep shadow and blur transformation. Realistic camera capture is prohibited. Strong projection is prohibited. Disable lighting effects. Metal highlighters are prohibited. Complex decorative backgrounds are prohibited. Disable stacked icon-based infographics. Evenly distributing colors is prohibited. Text covering the center of the subject is prohibited. Meaningless information noise is prohibited. Turning knowledge points into random decorations is prohibited. Excessive skeumorphism is prohibited. Collage of real photos is prohibited. Avoid gradient glare. Cyberneon backgrounds are prohibited. Soft illustration style is prohibited. Watercolor, oil painting, impasto, and 3D rendering styles are prohibited. Final Effect: The image should be presented as a premium pindou-style structured infographic poster. [Theme] Instead of being drawn directly, it is compressed into a massive bean-plucking color field, pixelated bead array edges, missing bead voids, negative space blades, numbered nodes, file annotations, and granular order. Viewers can see strong abstract themes from afar and read complete knowledge structures up close along information nodes. Topic: Pan Jinlian