Perler Bead Infographic Poster

Generate a 16:9 landscape infographic poster.

Topic: {argument name="Topic" default="Pan Jinlian"}

Key Points to Cover:
[Key Point 1]
[Knowledge Point 2]
[Key Point 3]
[Knowledge Point 4]
[Key Point 5]
[Key Point 6]
[Knowledge Point 7]
[Key Point 8]

Visual style definition:
This is a structured flat infographic poster in the style of "Pine Beads / Perler beads / Fuse Beads / Pixel Bead Array." The composition consists of numerous regularly arranged circular plastic beans, each with clear circular boundaries, slight central indentations, uniform spacing, a low-saturation plastic texture, and stable grid order. The overall composition must maintain a front-facing flat composition, like a public cultural infographic poster made from bean pins, rather than toy photography, 3D models, cartoon illustrations, or ordinary pixel art.

Core Composition:
Compress the [Theme] subject into a large-scale monochrome bean-knocking image field, rather than a complete realistic object, centered illustration, or icon collection. The subject must flow in from the edges of the canvas, cross the page boundaries, and be cut by bleeding, like a larger piece of puzzle medium image fragment onto the paper. The main subject occupies the main visual weight but is not fully presented; Viewers must reconstruct the theme through contours, directions, missing areas, bean crunching density, and local textures.

Main form:
The outer edge of the main body shows low-resolution bean-spliced steps, block fractures, hard-cut notches, pixelated sawtooth profiles, bead missing cross-sections, and rough sampling boundaries. Smooth silhouettes, complete icon outlines, and realistic details are prohibited. Inside the main body, only different brightness puzzles of the same theme structural color are used, resulting in low-contrast image fragments, half-tone noise, scan particles, material afterimages, archival textures, and local density variations.

Background and negative space:
The background uses a high-brightness light-colored puzzle base, close to unprinted paper, light milky white plastic baseboard, or a light gray-white puzzle layout. The background is not a decorative background but actively reverses the subject, forming large empty spaces, winding passages, quiet text windows, reading pause areas, and knowledge point containers. The blank space must be like the air, and also like the edge of a knife; It provides both a sense of breathability and the cutting of the main structure. Large light color backgrounds and large theme structural colors must intermingle; they cannot be simply divided into upper and lower zones, and cannot serve as ordinary backgrounds.

Color system:
It uses a strict three-layer functional color scheme, with no uniform color schemes allowed.

First layer: Light-colored base  
The area ratio is about 60%–70%. Its functions are breathing, cutting, pausing, and carrying text windows. Colors can be old paper white, light off-white, cool gray white, light blue-white, or light warm gray.

Second layer: Theme structural color  
The area ratio is about 25%–35%. Its function is to form the subject, create spatial pressure, express the theme's emotion, and the semantics of the material. Colors must be chosen according to the [theme]; for example, cool themes can use navy blue, dark green, gray-purple, or graphite; Warm themes can be in ochre, earth orange, brown-black, or dark gold. Inside the structural color, particle density and image ghosting are expressed through contrasting brightness in the bean binding.

Third layer: High-contrast information colors  
The area ratio is about 3%–6%. Functions include title, number, time, annotation, institution information, legend, footnotes, and key knowledge point markers. The information color must be small, sharp, and clear, and can be red, black, bright blue, fluorescent orange, or high-purity cyan. Information colors cannot be diffused into decorative colors.

Infographic System:
Convert all [Knowledge Point 1] to [Knowledge Point 8] into pindou information nodes, without using ordinary icon stacking explanations. Each knowledge point is presented in one of the following forms:
- Small numbered labels
- Micro comment box
- Bean-pinning legend block
- Coordinate lines
- Time scale
- Proportional bar
- Directional arrows
- Archive index number
- Local texture description
- Edge marker points

Information nodes must be distributed along blank windows, color field boundaries, cut nodes, body notches, negative space channels, and bottom edges. There are 8 information nodes, corresponding to 8 knowledge points. All information nodes must have hierarchical relationships: main headings are the largest, core concepts are secondary, knowledge point labels are smaller, and footnotes and numbers are the minimum. Information nodes must not cover the main center and must not disrupt the large color field structure.

Reading route:
Construct a jump-style reading path: small marker at the top → side-facing main heading → knowledge points at the main body edges → negative space annotation window → footnotes and legends at the bottom. The image must simultaneously satisfy long-distance recognition and close-up reading: from a distance, it looks like a strong, massive puzzle image fragment; up close, it is a precise, orderly system of knowledge information.

Fonts and Text:
Uses narrow modern sans-serif fonts, Swiss-style sans-serifs, square and clear frame fonts, or equal-width metadata fonts. The font strokes are uniform, character spacing is restrained, and the hierarchy is precise. The main title resembles a public cultural information coordinate, while the small print resembles an archival metadata index. Text must be placed in blank windows, border nodes, and bottom information boxes, and must not be pressed in the center of the main body. Chinese text must be clear, concise, and labeled, avoiding long paragraphs.

Bean-Blending Material:
All visual elements are made up of pindou. The surface of the pindou has a matte plastic texture, with slight manufacturing unevenness, fine particles, fine wear, and low contrast surface differences. Within the structural color area, variations in half-tone bean splicing density, scan output sensation, uneven old paper, and spot color overprinting can appear. Information color pinning beans must have sharp edges, clear contrast, and accurate positioning.