Ming Dynasty Hanfu Wedding Photos

Please use the two real life photos uploaded by users to generate high-budget, authentic, and photogenic-friendly Ming dynasty Hanfu wedding photos. You must preserve the true identity features of both people, including face shape, facial proportions, eyes, nose, lips, skin tone, sense of age, temperament, height and body shape, and distinctiveness. Each photo must clearly show the same real couple—no face swapping, no internet celebrity fake faces, no excessive Westernization, no over-smoothing, no obvious AI look.

The overall theme is Ming dynasty Hanfu wedding photos. Clothing, makeup and hair, accessories, props, and scenes all reference authentic Ming dynasty wedding aesthetics, resulting in high-end wedding institution sample photos that are dignified, grand, glamorous, restrained, and have a sense of ceremony.

Character design
Bride

The bride wears a bright red Ming wedding dress with a design that conforms to Ming aesthetic standards. It can use combinations such as phoenix crown and xiapei, gold-woven large-sleeved shirt, round-collared shirt, jacket skirt, hanging xiapei strap, cloud shoulders, etc. The fabric is thick, with clear textures of gold weaving, embroidery, kesi silk, and decorative flowers. Patterns mainly include phoenixes, peonies, round flowers, cloud patterns, seawater cliffs, and cranes.
The bride's headpiece was a Ming dynasty-style phoenix crown, featuring layers such as golden phoenixes, emerald blue dots, pearl tassels, gemstone inlays, floral trees, hair coverings, and hairpins. The craftsmanship was complex, luxurious but not cheap.
Hairstyles must be center-parted with a slick sideburn, smooth sideburns, low updo, round bun, or classical bun. Modern long curls are not allowed, palace banner hairstyles, or Tang-style high buns.
Makeup is high-budget wedding dress retouched makeup: base makeup is delicate and clean, eyebrows are clear and sharp, eye makeup is refined with expressive eyes, naturally defined eyelashes, eyeliner slightly raised, face center clean, lip makeup is bright red or crimson, overall dignified, luxurious, and classical.

Groom

The groom wears a Ming dynasty bright red round-collar robe or formal Ming wedding men's attire, with clear patches or gold patterns on the chest, thick fabric, crisp garment lines, and complete details such as jade belts, belts, and black boots. He wears a black gauze hat or futou (headband), giving the overall look neat, dignified, gentle, scholarly, and etiquette.
The groom cannot always be at the same angle; throughout the group, there must be different postures such as front face, three-quarters side profile, side profile, sitting posture facing forward, walking dynamics, and bending down interactions. He cannot always stand behind the bride's right side, nor can he always have a gentle smile and head lowered.

Fixed outfit settings (recommended to add the main controller directly)
Requirements for garment continuity

Throughout the entire set of wedding photos, the bride and groom must maintain the same fixed Ming dynasty wedding attire, and cannot change the costume style, headwear structure, main pattern, main color, or overall look due to changes in the storyboard. Different photos only allow different parts of the clothing to be seen due to different shooting angles, movements, and shots, but essentially, they must be the same wedding outfit.

The bride's fixed wedding attire setting

The bride wears the same Ming dynasty bright red wedding dress, with an overall phoenix crown and a ceremonial scarf wedding style. The structure of the garment is fixed as: the main body of the bright red wedding dress, a magnificent phoenix crown, a hanging sash of a xiapei, and a classical jacket or skirt or a large-sleeved formal dress.
The main color of the outfit is fixed as bright red + gold embroidery + a few details of the emerald blue headpiece.
The clothing patterns are fixed with traditional auspicious motifs such as phoenix, peony, cloud motifs, round flowers, and seawater and river cliffs. The overall style is luxurious, dignified, and complex, with no need to change the pattern logic for each piece.
The phoenix crown is fixed as a Ming dynasty phoenix crown, featuring golden phoenixes, emerald blue dots, pearl tassels, gemstone inlays, symmetrical large wings, or ornate layered structures. The overall structure of the phoenix crown must be consistent from front to back; one piece must be gold-leaning, and the other cannot become a completely different crown ornament.
Hairstyles are fixed as middle part, sticking up, low updo, or classical buns; one bun is not allowed, one is loose, and the other is styled in another dynasty.
The makeup is fixed as a dignified and refined Chinese bridal look, with bright red lips, clean base makeup, clear brows and eyes, and an overall classical and luxurious feel.

The groom's fixed wedding attire is set

The groom wears the same Ming dynasty bright red round-collar wedding robe, with a fixed style of black gauze hat or futou on his head.
The main color of the robe is fixed in bright red, with patches or gold patterns fixed on the chest, a fixed belt at the waist, and an overall heavy, upright look with a formal and upright style.
The groom's hat shape, robe design, patch placement, and color logic must all be consistent from beginning to end; there is no single style for each card.

Clothing consistency is emphasized

In the entire picture, do not change the wedding dress, do not change the headpiece, do not change the main color, do not change the pattern system, and do not switch from one Ming style wedding dress to another Ming style wedding attire.
All storyboards default to the same couple, the same set of Ming wedding attire, and the same wedding shoot plan.

Scenes and props

The scene features high-budget Chinese-style wedding studio shoots or interior scenes of ancient wedding rooms, including red curtains, Ming-style wooden furniture, a central hall with a wedding character, palace lanterns, dragon and phoenix candles, round fans, red canopies, wedding wine vessels, wedding trays, blue-and-white porcelain, carved windows, red bed curtains, dark wooden beams, screens, and more.
Props should be refined and realistic, serving character relationships, not too cluttered, and not filled with props like in studios.

Light and shadow requirements

The overall lighting is a cinematic Chinese wedding with warm red and gold tones.
It should have layers, not a completely dead red one.
You can use:

Warm main lighting shapes the faces and textures of the characters
Candlelight adds a touch of ambiance
Soft light or side backlighting by the window outlines the tassels, pearls, and clothing patterns of the phoenix crown
The dark areas retain layers of dark wood and red

Overall, it should look like a tens-of-thousand-yuan Chinese wedding dress sample, not an ordinary studio's big red background photo.

Unified requirements for expressions, movements, eye contact, and composition

This set of charts must clearly avoid duplication. Each photo should have changes in facial expressions, eye contact, movement interactions, shot angles, camera positions, and the groom's position.

It must be done:

In different photos, people can't always have the same kind of smile
In different photos, you can't always be two people looking at each other
In different photos, you can't always stand side by side facing the front
The groom must have at least 3 shots to be the initiator or the focal point of the shot
There should be different approaches such as looking at the camera, looking at each other, looking at props, lowering the head to calm down, and avoiding eye contact
Full-body, seven-body, half-body, and close-up shots should be presented
The camera should be at a level level, slightly lower, and slightly higher position
Movements should be restrained, elegant, and polite; avoid vulgar intimacy or modern idol drama-style hugs
Graphics and output requirements

Each photo is produced individually, with a 3:4 vertical composition, high definition, cinematic feel, premium wedding sample quality, clean image, no collage, no nine-grid layout, no text, no logo, no watermark.

Avoid problems

Avoid the Qing palace style, Tang-style chest-length style, Song style's light style, Han-style feel, opera costume elements, cheap studio red cloth backgrounds, modern loose hair, groom-like angles, fake faces, finger deformities, blurred clothing patterns, incorrect phoenix crown structures, unbalanced proportions, odd perspective, excessive skin smoothing, and stiff expressions.

Prompt 01 | Main poster for the official wedding ceremony

Please generate a main poster for a Ming dynasty Hanfu wedding photo.

The bride and groom stand in the center of the bridal chamber, with a large 'Happy Happiness' character in the main hall and red drapes behind them, flanked by palace lanterns and dragon and phoenix candles, with dark Ming-style wooden furniture as the background.
The bride wears a bright red phoenix crown and a cloud scarf, with a lavish and intricate crown dotted with emerald blue, golden phoenixes, pearl tassels, and clear gemstone layers. Her hairstyle is center-parted with a flat bun, her makeup dignified and delicate, holding a red embroidered round fan placed just below the chest.
The groom wore a bright red Ming dynasty-style round-collared robe with a delicate patch on the chest, a black gauze hat, and a thick and crisp fabric.
Both of them look at the camera, their expressions solemn, calm, and dignified, exuding the formality of the main wedding video. The groom must have a clear front face, no longer just a supporting role.
The composition is a full-body vertical shot, slightly lowered to emphasize the silhouette of the clothing, phoenix crown, robe, and overall aura.
The lighting and shadows are warm red and gold as the main light, with clear facial features. The embroidery and phoenix crown jewelry highlight details, giving the overall look grand, grand, and noble.

Prompt 02 | Facing each other before the ceremony

Please generate a Ming-style couple photo with a pause before the ceremony.

The scene is the wedding interior in front of a red curtain, with an offering table in front of it featuring dragon and phoenix candles, wedding wine vessels, and wedding trays.
The bride wears a bright red Ming wedding dress, with a complete phoenix crown and rosy robe, holding a round fan that is slightly lowered, revealing her complete makeup and red lips.
The groom wears a bright red round-collar robe and a black gauze hat, standing opposite the bride and maintaining a ceremonial close distance with her.
In terms of movement, the groom gently supports the bride's sleeve or wrist, and the bride looks up at him.
The eye contact is like the bride looking at the groom, and the groom looking at the bride.
In terms of expression, the bride is gentle, reserved, and slightly shy; The groom should be solemn, focused, and a bit appreciative—don't just smile in a template.
The composition is seven split head-up cameras, focusing on the relationship, eye contact, hand movements, the hanging straps of the xiapei (a cloud scarf), and clothing patterns.
Warm tones dominate the lighting, with candlelight creating atmospheric points in the background and on the tabletop, making the scene both solemn and emotional.

Prompt 03 | The groom tidies the bride's phoenix crown

Please generate a Ming-style wedding interactive snapshot.

The setting is a corner of the bridal chamber, with red drapes, dark wooden furniture, and partial candlelight in the background.
The bride sits upright on a Ming-style carved chair or the edge of a luohan couch, wearing a bright red phoenix crown and rosy scarf, lightly holding a round fan in her hand, slightly turning her body to the camera, and lowering her head without looking at the camera.
The groom stands slightly behind her, wearing a bright red round-collar robe and a black gauze hat, his hands gently arranging the pearl tassels, hairpins, or the shoulder of the bride's phoenix crown.
The groom needs to show a clear three-quarters of his face, not just a blurry profile.
In terms of expression, the bride is quiet, dignified, and subtle with a faint smile; The groom is focused, gentle, natural, and genuinely caring for him.
The gestures and interactions should resemble the moment of tidying up before a wedding—restrained, natural, intimate, but not exaggerated.
The composition ranges from half-body to seven-body shapes, slightly elevated, highlighting phoenix crown craftsmanship, tassels, hand movements, and costume embroidery details.
Use soft side lighting and warm ambient lighting; pearls and gold jewelry should have delicate reflections, resulting in a refined and quiet image.

Prompt 04 | The moment the veil is lifted

Please generate a photo of the Ming dynasty wedding veil unveiling ceremony.

The setting is the interior of a red wedding room, with a background featuring a 'happy couple' character, red bed curtains, Ming-style wooden windows, dragon and phoenix candles, and warm candlelight.
The bride sits on the wedding bed or couch, dressed in a fully Ming dynasty-style bright red wedding dress and phoenix crown and embroidered cape, with a red veil draped over her head.
The groom stood directly in front of her, leaning slightly forward, wearing a bright red round-collar robe, and gently lifted one corner of the red veil with both hands.
The red veil is half-covered, half-exposed, revealing the bride's makeup, red lips, and quiet, restrained gaze.
The eye contact involves the bride gently looking at the groom from under the veil, and the groom is focused on the bride.
In terms of expression, the bride is a bit shy and smiling; The groom is gentle, solemn, and slightly stunning.
The composition is vertical in the middle shot, with the red veil as the visual center. The figures are closer than in previous shots, but still restrained.
Soft light and shadow, candlelight and warm main light together shape the red, making the red layers rich, with phoenix crowns, red tulles, and facial details clearly defined.

Prompt 05 | Wedding Ceremony

Please generate a photo of the Ming dynasty wedding wedding wine for two people.

The scene is set at the wedding table or in front of the Arhat couch, with a wedding cup, wine pot, wedding fruit, red candles, and small trays placed on the table.
The bride and groom sit side by side or face to face, each holding a wine cup, arms naturally crossed, preparing to drink the wedding wine.
The bride wears a phoenix crown and a ceremonial robe, and the round fan can be placed by the table or on her lap.
The groom wore a bright red round-collared robe and a neat black gauze hat.
In this photo, don't keep the two looking at each other; instead, both look down at the wine glass or cross hand gestures.
In terms of expression, both are calm, solemn, focused, and have a sense of ceremony.
Movements should be restrained and elegant, with sleeves and sleeves naturally hanging down.
The composition ranges from half to seven-body length, with a head-up view, focusing on the cup-crossing gesture, hand lines, candlelight, tabletop objects, and clothing details.
Light and shadow should focus on warm candlelight atmosphere, complemented by soft main lighting, with gold thread embroidery, porcelain, and wine glass details that are very exquisite.

Prompt 06|Holding the lamp and traveling together

Please generate a photo of two people walking in Ming dynasty wedding attire.

The scene is set between red curtains and a Ming-style corridor, with palace lanterns, wooden lattice windows, dark wooden beams in the background, and a layer of blurred red gauze in the foreground.
The bride and groom walk side by side slowly, carrying a red palace lantern together or each with one.
The bride wears a phoenix crown and a xiapei (a ceremonial robe), with the hem and wide sleeves naturally swaying with each step.
The groom wears a bright red round-collar robe, walking steadily with a flowing feel.
In terms of movement, the groom takes a slightly step forward, becoming the leader of the movement, turning his head gently to look back at the bride; The bride lowers her head to look at the lantern or gently glances back at the groom.
In terms of expression, both are softer, showing the tacit understanding of walking together after a wedding.
The composition should be full-body vertical shots, slightly low from the camera angle, with a slight candid feel, and not a completely standing pose shot.
In terms of lighting, warm lighting illuminates the figures and the golden threads of clothing, while the background maintains deep red and wood-toned layers, giving the image a sense of flow, atmosphere, and space.

Prompt 07 | Groom leads the sitting posture picture

Please generate a Ming dynasty wedding photo with a strong presence of the groom.

The setting is the formal interior of the bridal chamber, with a central hall with the character for 'happiness' in the background, red curtains, Ming-style tables, and palace lanterns.
In this painting, the groom sits on a Ming-style chair, wearing a bright red round-collared robe and a black gauze hat. His face must be clearly and prominently proportioned, sitting upright but relaxed, with hands lightly resting on his knees or holding a tablet, exuding a calm, handsome, and commanding demeanor.
The bride stands beside or slightly closer to him, wearing a phoenix crown and a ceremonial robe, holding a round fan, her body slightly facing the groom.
The gaze can be designed so that the bride looks at the groom, the groom looks at the camera, or both look at the camera but the groom is more focused on the image.
In terms of expression, the groom is calm, steady, and dignified; The bride is gentle, noble, and dignified.
The composition is seven splits to the full, looking straight at eye level or slightly low from the camera angle, focusing on changing character relationships and breaking the problem that "the groom is always just a supporting role."
The lighting and shadows should be more formal, with clean faces, and the sense of volume and wood layers in the clothing clearly defined.

Prompt 08 | Close-up view of the window

Please generate a quietly gathered close-up photo of a couple in Ming dynasty wedding attire.

The setting is in front of carved windows or a quiet corner of the bridal chamber, with softened red curtains, partial wedding characters, candlelight, and dark wooden furniture in the background.
The bride and groom sit a bit closer.
The bride wears a phoenix crown and a rosy robe, holding a red embroidered round fan, which is gently pressed against her chest or slightly covers half her face.
The groom wears a bright red round-collar robe, close to the bride's side, but his movements are restrained, creating only a sense of spatial intimacy.
The eye contact is set so that the bride looks at the groom from above the fan, and the groom quietly looks at her profile; neither of them looks at the camera.
In terms of expression, the bride is reserved, clear-headed, and with a hint of a light smile; The groom is gentle, quiet, and highly appreciative.
The composition ranges from a foreground to a vertical half-body shot, highlighting phoenix crowns, tassels, makeup, embroidered round fans, the groom's profile, and the atmosphere between the two.
Light and shadow use soft window light and warm accent lighting, making the subject's face soft and layered, like an emotional wrap page for a whole wedding photo.